Stylist Magazine

The art of the media insurgent In the early 2000s, the magazine industry was a bastion of traditional business models, comfortable in its reliance on newsstand sales and subscription fees. Mike Soutar looked at this landscape and saw not a fortress, but a target. As a co-founder of Shortlist Media, Soutar didn't just launch a new magazine; he engineered a system designed to be the ultimate nightmare for incumbent publishers. By pivoting to a high-volume, high-frequency, free distribution model, he created a product that competitors could not replicate without cannibalizing their own revenue streams. This is the essence of market disruption: identifying the structural weaknesses of established giants and building a solution that renders their strengths irrelevant. Today, Soutar maintains a plural career, serving on various boards and acting as a veteran advisor for companies facing the necessity of radical change. His journey from a teenage journalist writing horoscopes in Dundee to the CEO of the Evening Standard and a feared interviewer on The Apprentice provides a masterclass in professional evolution. The media landscape has shifted from print to digital and now toward personal branding, but the core principles of audience engagement and distribution dominance remain unchanged. Success in this volatile arena requires more than just a good idea; it demands an obsessive focus on how that idea reaches the consumer. Breaking the incumbent business model When Shortlist launched in 2007, it wasn't just a content play; it was a logistical feat. Soutar and his partner Tim Yeadon recognized five key levers for innovation: price, frequency, format, editorial approach, and distribution. By making the magazine free, they removed the friction of the transaction. By making it weekly, they increased the "touchpoints" with the consumer. By using improved newsprint in a large format, they turned every reader into a walking billboard for the brand. This "visible consumption" was a magnet for advertisers who could see the impact of the product in real-time on the London Underground. However, the true innovation lay in the distribution network. Rather than relying on third-party newsagents, Shortlist Media built its own army of 800 merchandisers across 11 cities. This gave them absolute control over the first and last mile of the consumer journey. Soutar recalls the emotional weight of seeing 500,000 copies in a warehouse, realizing that the success of the venture rested on their ability to physically place those copies into hands. This grit—the willingness to spend time in the back of distribution vans—is what separates visionary founders from mere theorists. They eventually applied this proven infrastructure to launch Stylist, which achieved profitability in less than 12 months because the "hard part" of the business was already solved. CEO psychology and the decision-making vacuum Moving from a founder to a corporate CEO requires a shift in psychological gears. Soutar describes the role of the CEO not as a manager, but as a decision-making engine. In high-stakes environments, a leader must often act in the absence of perfect data. Waiting for the "perfect" report is a death sentence for a fast-moving organization. Soutar argues that a CEO’s primary value is their ability to commit to a course of action, even when the outcome is uncertain. If a leader is stuck in the headlights, the business will collapse with terrifying speed. This decisiveness must be balanced with extreme humility. A great CEO fosters a culture of "constructive dissent," where employees are encouraged to challenge the status quo. Soutar views the ideal organization as a pyramid: a perfect democracy at the base where ideas are elicited from everyone, transitioning into an absolute autocracy at the very top once a decision has been made. Once the debate ends, the execution begins. This framework prevents the "death by committee" that plagues many established firms. A leader must have the ego to lead but the self-awareness to admit when a decision was a mistake and pivot immediately without shame. The scrutiny of The Apprentice and the truth in the data Soutar’s role on The Apprentice has made him a household name, synonymous with the "uncomfortable interview." While the show is edited for entertainment, Soutar approaches the task with the rigor of a venture capitalist protecting an investment. Every year, he spends days dissecting business plans and cross-referencing claims. His goal is to find the "leaks" in a candidate's narrative. He notes that most entrepreneurs don't set out to lie; they exaggerate, and in business, the line between an ambitious projection and a fabrication is thin but vital. His infamous confrontation with a candidate over Amazon sales figures—where 40,000 units claimed in a business plan were contrasted with a million-unit claim on a website—highlights a fundamental truth: in the digital age, your data is always public. Soutar uses his background as a journalist to set "traps" not for the sake of cruelty, but to test the candidate’s integrity under pressure. He believes that if a founder cannot handle a 40-second uncomfortable silence in an interview, they certainly cannot handle the years of sacrifice and market pressure required to scale a real company. The interview is a microcosm of the market itself: it is indifferent to your feelings and only cares about the facts. Future media and the democratization of content Looking ahead, the media landscape is undergoing another seismic shift. Soutar observes that the barriers to entry have effectively vanished, leading to a massive influx of "flatsome and jetsome" content. We are currently in an era of personal brands and celebrity investors—think Ryan Reynolds or the Kylie Jenner model—where distribution is solved by social following rather than physical merchandisers. However, Soutar predicts a correction. The sheer volume of amateur content is becoming wearing for consumers, and he expects a new professional class of content creators to emerge over the next decade. This evolution will likely favor massive legacy brands like The New York Times or Netflix, which have the scale to withstand economic buffeting. Conversely, the written word is losing its dominance among younger demographics. Soutar, who edited Smash Hits at 21, identified early that younger audiences are "viewers, not readers." The future of media is visual, ephemeral, and inhaled rather than studied. For entrepreneurs, the opportunity lies in finding a niche within this multimedia landscape and building a platform that offers more equitable models for these new professional creators. Backing the person over the product In his capacity as an angel investor, Soutar has simplified his philosophy: back the person first, the idea second. Markets shift, customer behaviors evolve, and initial product-market fit can vanish overnight. The only constant in a startup is the character of the founder. Soutar looks for individuals with "enthusiasm and drive"—traits he identifies in Blair Hawthorne, the founder of Loop FX. Loop FX represents Soutar’s current bet on a future unicorn. The company addresses the massive institutional foreign exchange market, where trillions are traded daily but often "blind" to prevent market leakage. By creating a "dark pool" matching engine, Hawthorne is solving a high-value problem with proprietary technology. This is the kind of "counter-intuitive" innovation Soutar admires—a solution that addresses a massive, entrenched market by providing a more efficient, silent alternative. It mirrors his own success with Shortlist Media: finding a giant, identifying its inefficiency, and building the tool that changes the game.