That '70s Show

The financial analyst who traded spreadsheets for silver face paint Every great comedian possesses a foundational narrative of the "before times," but few are as starkly incongruous as Will Forte’s stint in the brokerage world. Long before he was MacGruber or the eccentric Falconer, he was Orville Willis Forte IV, a man following the gravitational pull of paternal expectation into the world of finance. This wasn’t merely a side hustle; it was a perceived destiny. Forte describes his time as an intern for a man named Brett, performing the mundane labor of cold-calling leads only to hand the phone off before the "scary and exciting" part of the sale began. This period of his life represents a classic tension in the creative psyche: the safety of the known versus the terror of the possible. When offered the chance to take the Series 7 exam and join the firm officially, Forte experienced a moment of existential clarity. He realized that if he said yes, his own sense of loyalty would trap him. He wouldn't leave a man who had taken a chance on him, even if that man's world was a desert for Forte’s specific brand of absurdity. This pivot away from a secure financial future wasn’t just a career move; it was a rejection of a version of himself that was fundamentally "timid." The audition that became an SNL urban legend When Will Forte finally did arrive at Saturday Night Live, he didn’t just walk through the door; he performed a high-wire act of comedic vulgarity that remains etched in the show's institutional memory. His audition is the stuff of legend, primarily for the "Gold Man" sketch. Originally a Groundlings piece, it featured Forte in full metallic face paint, playing a street performer who only moves when money is deposited. The climax involved a song with a chorus so graphic it should have been a career-ender in any other building. Instead, it was a siren song for Lorne Michaels. Despite the notoriously "cold" atmosphere of the audition room, the sheer commitment to the bit—a man in gold paint singing about performing sexual acts for face paint money—broke through the professional ice. Amy Poehler recalls the room dying with laughter, a rare feat in a space designed to intimidate. This audition highlights the core of the Forte aesthetic: a willingness to push a joke past the point of comfort, into a territory where the audience is forced to either surrender to the madness or leave the room. He didn’t just perform; he dared the institution to hire him. Turning down Lorne Michaels and the fear of failure Perhaps the most shocking revelation in Forte’s trajectory is that he initially turned the job down. After the triumph of his audition, he retreated to the security of his writing gig at That '70s Show. To the outside world, this looked like a "punk rock" move—the man who told Lorne Michaels no. In reality, Forte confesses it was a decision rooted entirely in fear. Having experienced a lukewarm stint at Late Show with David Letterman, he was terrified of another "dream shattered." He clung to the "bird in the hand," a multi-year contract and a show that was already a success. This hesitation speaks to the profound imposter syndrome that often haunts the most talented performers. It took another year, a chance meeting at a wedding with Maya Rudolph, and the explicit blessing of his boss at That '70s Show for Forte to finally take the leap. When he did join the cast in 2002, he didn’t find immediate peace; he spent the next seven years in a state of high-alert "hustle," never quite believing the seat at the table was permanently his. This internal friction, while exhausting for the performer, often fuels the desperate, manic energy that makes for great sketch comedy. Deconstructing the George W. Bush years One of the most difficult hurdles in Forte’s early years was the inherited mantle of the Presidency. Following Will Ferrell’s iconic, genre-defining portrayal of George W. Bush was an impossible task. Forte admits he was a "letdown" in the role for the first year. The struggle wasn't just about the voice; it was about the comparison. Ferrell's Bush was a cultural phenomenon that should have arguably been retired with him. Forte’s difficulty with the role underscores a broader truth about Saturday Night Live: the weight of legacy can often stifle the arrival of new genius. Forte is not a mimic in the traditional sense; he is a creator of original grotesques. Forcing him into the narrow box of a political impression was like asking a surrealist to paint a passport photo. It wasn’t until Lorne Michaels gave him a piece of critical feedback—that he was too timid when performing other people's writing—that Forte began to truly inhabit the Studio 8H stage. Michaels' note was a masterstroke: Forte needed to take ownership of every sketch as if he had written it himself. Once he stopped trying to be "right" and started being "weird," his tenure transformed. The 29th best Donkey Kong player in the world Away from the cameras, Will Forte’s obsessive nature found a home in the pixelated world of Donkey Kong. While filming A Good Old Fashioned Orgy, Forte found himself with significant downtime. Instead of typical Hollywood hedonism, he retreated to a local bar to wage war against a high score held by a mysterious "JLK." This wasn't a casual hobby; it was a disciplined pursuit involving hours of strategy research and repetitive practice. His dedication was so absolute that he eventually achieved the 29th highest registered score in the world. The story, while humorous, is a perfect microcosm of Forte’s approach to everything: total immersion. Whether it is committing to a character with 20,000 steps a day or mastering the patterns of a 1980s arcade game, Forte operates at a frequency of 100%. He doesn't do things for the glory—he didn't even know his score was being registered by the gatekeepers of the King of Kong community—he does them for the internal satisfaction of the "get." Marriage by osmosis and the Four Seasons bond Will Forte’s latest project, The Four Seasons, reunites him with Tina Fey, a collaborator he describes as having known through "osmosis" for decades. Their history isn't one of late-night dinners, but of shared foxholes. The grueling schedule of Saturday Night Live creates a shorthand that transcends friendship; it becomes a familial bond. Fey notes that working with Forte is "easy" because of this shared history of cold meatballs and sleepless nights. On the set of the Netflix series, this manifested in a bizarre, protective etiquette regarding their shared trailer wall. Forte, ever the gentleman, worried about the acoustic transparency of the thin walls, eventually establishing a system where playing Iron Maiden served as a warning that privacy was required. This blend of extreme professional respect and absurd personal boundaries is what makes the Fey-Forte pairing so effective. They portray a couple with a lived-in chemistry because, in many ways, they have already lived a lifetime together in the pressure cooker of 30 Rock. Their performance in The%20Four%20Seasons is a culmination of twenty years of mutual affirmation and shared comedic DNA. The evolution of the mischievous senior As Will Forte enters his "senior" years in comedy, the manic energy of his youth has evolved into something more nuanced, but no less mischievous. He reflects on his time at Saturday Night Live not just as a career peak, but as a place of necessary failure and repair. He acknowledges the mistakes of the past—the inappropriate casting and the sketches that missed the mark—with a grace that only comes with age. The lesson of Forte’s career is one of persistence over perfection. From the