Sorting Outputs

The morning begins in the most unlikely of industrial hubs: a local bar. Drae, wearing a character model with eyes that don't quite track straight and a pair of oversized yellow boots, kicks off a venture into the world of extraction and automation. The setting is Ore%20Factory%20Squad, a game that presents a curious proposition. It asks players to buy residential real estate—specifically suburban backyards—and transform them into intensive mining operations. After a brief negotiation with a seller that feels more like a heist than a business transaction, Drae acquires a backyard for a mere $370. The legality of digging a fifty-foot crater in a subdivision is never addressed, but in this world, if you own the lot, you own the resources beneath it. Shovels and signals in the suburban dirt The transition from the bar to the field is abrupt. The property is small, bordered by a fence and a neighbor’s house, featuring a "pool" that turns out to be a flat texture on the ground. This isn't a high-fidelity simulator, but it quickly reveals its mechanical depth. Armed with a basic shovel and an Ore%20Detector, the work begins. The detector is the lifeblood of the early game, a handheld device that pings for limestone, coal, gems, and base metals. It provides a distance reading in meters, forcing the player to triangulate the position of raw materials buried deep beneath the topsoil. Digging in Ore%20Factory%20Squad is surprisingly tactile. The shovel moves large chunks of earth, and as Drae descends, the environment shifts. The bright brown of the surface soil gives way to the grey, stony texture of the deep layers. Finding a single node of limestone becomes an exercise in patience. The detector might beep at 0.1 meters, yet the resource remains hidden behind a thin veil of procedurally generated dirt. It is a game of inches. The satisfaction comes not from the act of digging itself, but from the sudden "clink" of the shovel hitting a solid node, followed by the frantic gathering of raw ore into a limited inventory. The grind of manual labor and sorting stations Extraction is only half the battle. Once the truck bed is filled with packed ore, the focus shifts to the warehouse. This is where the "Factory" element of the title comes into play. The loop requires the player to offload raw materials into a Sorting%20Station, which automatically transfers resources into global factory storage. From there, the player must navigate a complex UI to spawn those resources back into the physical world at Sorting%20Outputs for processing. In these early stages, the absence of automation is felt acutely. Every stone block and bag of sand must be manually moved from the spawner to the machine. Progress is dictated by a leveling system that unlocks more efficient tools. After a day of back-breaking labor, Drae reaches Level 2, unlocking the Pickaxe and Dynamite. The pickaxe promises better performance against the harder bedrock layers, while dynamite offers a $50-per-blast solution to moving massive amounts of earth. However, the initial experience with the upgraded tools is mixed. The pickaxe seems marginally better than the shovel, and the dynamite, while spectacular, creates as much chaos as it does progress. It highlights the game's core tension: the struggle between the desire for efficient automation and the messy, physical reality of moving dirt and pallets in a cramped warehouse. Negotiating contracts and the art of the deal Money in Ore%20Factory%20Squad isn't just handed out; it’s earned through a negotiation mini-game. Players access a contracts app on their in-game computer, where companies request specific goods like Cement, Stone%20Bricks, or Clay%20Bricks. Each contract is an opportunity to barter. Drae attempts to squeeze extra profit out of a cement contract, discovering that the AI clients have very specific thresholds for what they consider a fair price. Aim too high, and they walk away; aim too low, and you leave money on the table. The complexity of these orders increases rapidly. A simple request for raw stone evolves into a multi-stage production requirement. To fulfill a high-paying contract, Drae must first crush raw limestone into blocks, then process those blocks into cement using a Forming%20Station. This requires a careful balance of resources. If you accidentally process all your limestone into blocks but the contract specifically calls for raw stone, you've wasted time and energy. The logistics of the warehouse become a puzzle of pallet management, as the player maneuvers a Forklift to move finished goods into the delivery zone. One wrong move with the forklift can send a pallet of hard-earned stone blocks clipping through a wall, lost to the void—a frustration Drae encounters firsthand. Automation dreams and invisible walls As the demo nears its conclusion, the potential for true automation begins to surface. The game features a Conveyor%20Belt system designed to link sorting outputs directly to processing machines. In theory, this should eliminate the need for manual hauling. However, the reality of the demo is a bit more temperamental. Machines occasionally refuse to accept inputs from belts, or the output becomes blocked by a stray pallet. Drae finds himself yelling at his machines, demanding they "poop out" the materials he needs. It’s a classic "early access" experience where the systems are robust enough to be interesting but glitchy enough to be exasperating. Despite the friction, the satisfaction of a working line is undeniable. When the limestone blocks finally flow into the forming station and emerge as bagged cement, the loop clicks. The player goes from a guy with a shovel in a hole to a factory foreman managing a supply chain. This transition is the heart of the game. The demo ends just as the player reaches the threshold of industrial scale, leaving a graveyard of half-dug holes and scattered pallets in a suburban backyard. It’s a messy, chaotic, and oddly compelling vision of small-scale industrialization. The lesson of the suburban excavator Looking back at the fifty-six minutes of gameplay, the clearest takeaway is that Ore%20Factory%20Squad is a game about the dignity and disaster of labor. It doesn't hand the player success; it forces them to dig for it, literally. The procedural nature of the ground means that no two mining runs are the same. One day you might find a rich vein of coal near the surface; the next, you’re forty feet deep in pitch-black bedrock, lost and hoping for a glimmer of limestone. This unpredictability prevents the game from becoming a mindless clicker. The game's title suggests a cooperative focus, and the trial run confirms that solo play is a Herculean task. Managing the mining, the driving, the refining, and the logistics simultaneously is a recipe for burnout. The game shines when the chaos is shared—where one person can focus on the delicate art of the forklift while another braves the dark depths of the backyard mine. It’s a reminder that even in the world of high-tech automation and resource extraction, you can't build an empire alone, especially if your eyes don't track straight and you're wearing big yellow boots.