Muhammad Baqir

Mastering the 'Invisible' Museum Mount In the world of high-end conservation, the greatest compliment a builder can receive is for their work to go completely unnoticed. When displaying a fragile artifact like the 1789 Iranian Vanity Box by Muhammad Baqir, the goal is to provide structural security without interrupting the viewer's experience. This guide breaks down the process of creating "invisible" mounts used by experts like Warren Bennett at The Metropolitan Museum of Art. Tools and Materials Needed To achieve professional-grade results, you must use conservation-approved materials that won't off-gas or damage the artifact. * **Brass Stock:** For creating the rigid skeletal structure of the mount. * **Conservation-Grade Acrylics:** High-pigment, archival paints for color matching. * **Clear Lacquers:** Specifically slightly yellowed or aged lacquers to replicate historical finishes. * **Padding:** Soft, inert materials for the contact points (tabs) to protect the object's surface. * **Reference Photography:** High-resolution images of the artifact's hidden borders and patterns. Step-by-Step Instructions 1. **Collaborative Design:** Work with curators to determine the most dynamic display angle. For a vanity box, this often means an "exploded" view where every panel is visible simultaneously. 2. **Fabricate the Frame:** Bend and solder brass straps to follow the contours of the object. Keep the profile as slim as possible while maintaining structural integrity. 3. **Color Base Layer:** Apply an "orange haze" or brown base coat to the brass to mimic the underlying warmth of aged materials. 4. **Replicate the Pattern:** Hand-paint the specific floral or geometric motifs of the artifact onto the mount. Focus on where the mount might be reflected in mirrors or seen from side angles. 5. **Finish Matching:** Apply a transparent, tinted lacquer over your painting. This replicates the depth of historical oil-based finishes and ensures the mount reflects light the same way the artifact does. Tips and Troubleshooting **Account for Parallax:** The viewer isn't static. Always check your paint job from multiple angles, especially through reflective surfaces. A pattern that looks perfect from the front might break if someone cranes their neck. **Time Management:** Even at the Met, experts often only have two or three days for a complex mount. Don't over-paint areas that are physically blocked from view by the case or walls. Focus your artistry where the eye naturally stops. Expected Outcome A successful mount disappears into the artifact. By the end of this process, the brass hardware should blend seamlessly with the original papier-mâché and lacquer, allowing the 18th-century craftsmanship to take center stage. You aren't just building a stand; you're creating an extension of the object's own history.