John Goodson

The Miraculous Survival of Kubrick's Moon Shuttle When filmmaker Stanley Kubrick wrapped production on 2001: A Space Odyssey, he famously ordered the destruction of his sets and filming miniatures. He wanted to prevent his groundbreaking visual effects work from being cheapened in future productions. Yet, the original Aries 1B spherical lunar lander model survived. Discovered decades later decaying in a backyard shed, this 100-pound miniature represents a crucial link to pre-digital effects artistry. Halting Decay in the Gas Chamber When the Academy Museum of Motion Pictures acquired the artifact, years of outdoor exposure had left it filthy and structurally compromised. Because the core of the heavy model was built from wood, a destructive colony of wood-boring beetles had infested the structure. Conservators at the Debbie Reynolds Conservation Studio immediately placed the model into an anoxic, oxygen-deprived chamber to suffocate the insects. This critical stabilization phase halted further internal destruction before physical restoration could begin. Decoding the Kitbashing Process To restore missing exterior details, the conservation team collaborated with veteran model maker John Goodson. They relied on blown-up film stills to map empty spots on the hull. During the late 1960s, model builders used "kitbashing"—cannibalizing plastic parts from commercial model kits to add intricate surface detail, known as greebles. John Goodson filled tables with vintage train, submarine, and spacecraft kits from the 1950s through the 1970s. The team matched empty silhouettes on the model’s hull to specific plastic components, identifying everyday parts like model train hitches and miniature scuba tanks. Hidden Structural Innovations To ensure the model survived future display, engineers machined a custom internal aluminum armature. This structure supports the heavy wood core, taking the weight off the fragile, highly delicate thrusters. Interestingly, the restoration also preserved the original handling mechanics. Production crews used to insert metal rods through specific ports to carry the heavy model like an Egyptian litter, maneuvering it slowly in front of black curtains or matte paintings. By preserving these original features, the restoration honors both the on-screen magic and the physical labor of the crew.