LG Display

Nvidia thinks a $4 day pass is the future of gaming Nvidia just introduced a day pass for GeForce Now, and the pricing is nothing short of insulting. To get priority access for a single 24-hour window, you’ll cough up $4. If you want the ultimate tier—which grants you RTX 4080 performance—it’s $8. To put that into perspective, a full month of priority costs $10, and a full month of ultimate costs $20. Nvidia is essentially charging you 40% of a monthly subscription for a single day of service. From a market analysis perspective, this is a baffling move. Usually, a "day pass" is a low-barrier entry point designed to hook users into a long-term subscription. But at this price point, the barrier isn't low; it's a paywall designed to penalize the casual user. It’s hard to imagine who this is for. If you’re a traveler who just wants to game for one night in a hotel, maybe you’ll swallow the $8 pill. But for anyone else, the math simply doesn't work. Nvidia’s justification likely centers on the high cost of server maintenance and bandwidth—this isn't just streaming a video; it's a high-performance compute instance. However, if the goal is user acquisition, they’ve missed the mark. A smarter move would have been a $1 or $2 pass that credits toward your first month. Instead, they’ve opted for a pricing model that feels like corporate penny-pinching in a boardroom. On the technical side, GeForce Now is actually making some impressive strides. They've added variable refresh rate (VRR) support, which is a massive win for cloud gaming. VRR allows the display to sync its refresh rate with the incoming frame rate from the cloud, reducing stutter and latency. Interestingly, this feature is currently locked to users with modern Nvidia GPUs on Windows, yet it works on Macs with Apple or AMD silicon. This suggests Nvidia might be arbitrarily gating features for their own hardware owners—a frustrating but classic move from the green team. Nintendo kills Yuzu in a $2.4 million legal blitz The emulation community was rocked this week when Tropic Haze, the developers behind the Nintendo Switch emulator Yuzu, settled with Nintendo for $2.4 million. This wasn't just a slap on the wrist; it was a total capitulation. The developers agreed to cease all operations, shut down their website, and hand over their domain and hardware to Nintendo. The speed of this settlement—occurring just a week after the lawsuit was filed—suggests that Nintendo had significant leverage. Observers speculate the Yuzu team settled to avoid the discovery phase of a trial, which likely would have unearthed internal communications showing the team sharing copyrighted game files or optimizing for games before their official release. This is the danger zone for emulation. While the software itself is often protected under legal precedent, the moment developers touch pirated game data or profit from its distribution, they paint a massive bullseye on their backs. The fallout has been immediate. Citra, a popular 3DS emulator from the same team, was also shuttered. Competitors like Ryujinx have gone into a defensive crouch, temporarily closing discord invites. Even the developer of the DS emulator DraStic has made the software free and announced plans to open-source it to avoid becoming the next target. Nintendo’s strategy here isn't just about winning a case; it’s about weaponizing fear. They want to send a clear message: if you facilitate the play of our current-gen games on non-Nintendo hardware, we will come for you with everything we have. Warner Bros destroys Rooster Teeth and Adult Swim games In a move that highlights the precarious nature of digital media under corporate consolidation, Warner Bros. Discovery is shutting down Rooster Teeth. This marks the end of a 21-year run for a digital pioneer that defined early internet video culture with "Red vs. Blue." While the brand had seen its share of controversies and declining viewership, the cold, hard shutdown—impacting 150 employees—is a grim reminder that legacy media companies often view these assets as nothing more than tax write-offs or IP silos to be pillaged. Simultaneously, Warner Bros. is delisting games published under the Adult Swim Games banner on Steam. Developers have reported that Warner Bros. rejected requests to simply transfer the ownership of these games back to the creators, despite the developers owning the IP. One developer was told he could relist his game only if he scrubbed all mentions of Adult Swim from the credits. This is a catastrophic failure of digital stewardship. When a corporate giant delists a game, they don't just stop selling it; they kill the community. Historical reviews, wishlists, and years of player data vanish. This trend reinforces the necessity of physical media and independent distribution. If a multi-billion dollar corporation can't be bothered to click three times to transfer a game to its creator, they shouldn't be in the business of publishing art in the first place. This is corporate lethargy at its most destructive, prioritizing legal clean-up over the preservation of digital history. LMG spends thousands on an industrial CT scanner Linus Media Group has acquired a Lumafield Neptune industrial CT scanner, and it’s one of the most exciting additions to our laboratory to date. This isn't just a toy for YouTube; it's a professional tool that allows us to see through hardware without the destructive process of a teardown. We’ve already used it to scan everything from Noctua edition screwdrivers to dbrand promotional Rubik’s cubes. The Neptune works by blasting an object with X-rays from multiple angles as it rotates, then reconstructing a high-fidelity 3D model of the internals. We can see the density of the plastic, the layout of the internal gearing, and even the traces on a PCB. For a tech reviewer, this is like having a superpower. It allows us to verify manufacturing claims and inspect internal build quality with a level of precision that was previously impossible. However, owning such a device in Canada brings us back to the most misunderstood topic in our comment section: tax write-offs. There is a persistent myth that if a business buys an expensive piece of equipment, it’s "free" because it’s a write-off. Let’s be very clear: a write-off simply means we don't pay income tax on the money we spent on that item. If we spend $50,000 on a scanner, we still spent $50,000. We just saved the ~25% tax we would have paid on that $50,000 if we had kept it as profit. We don't get the scanner for free, and we certainly can't write off personal items like home pools just because we filmed a video near them. The CRA is remarkably efficient at spotting that kind of fraud, and being a high-profile target makes us the first people they would audit. Samsung makes a mess of OLED branding Samsung Electronics is currently engaged in some of the most anti-consumer branding obfuscation we've seen in the TV market. They are mixing QD-OLED panels (produced by Samsung Display) with W-OLED panels (produced by LG Display) within the same model lines, specifically the S90D series. For the uninitiated, QD-OLED and W-OLED are fundamentally different technologies. QD-OLED uses quantum dots for superior color brightness and purity, whereas W-OLED uses a white subpixel that can wash out colors at high brightness levels. By refusing to label which panel is in which TV, Samsung is effectively gambling with consumer money. You could buy an S90D and get a cutting-edge QD-OLED, or you could get a W-OLED panel that Samsung’s own marketing previously claimed was inferior. This move appears to be a result of a business deal between Samsung and LG. LG needs to move panels to keep their factories running, and Samsung needs cheaper OLED options to compete on price. As part of the deal, LG reportedly asked Samsung not to market W-OLED as an inferior technology. The result is a total lack of transparency. When brands prioritize backroom corporate deals over clear product specifications, the consumer is always the loser. If you’re shopping for a Samsung OLED this year, you’ll need to be an amateur detective to figure out what you’re actually buying. Linux hits 4% while Windows kills Android apps In a surprising statistical shift, Linux has officially reached a 4.03% market share on desktop operating systems. While 4% sounds small, it represents millions of users and a significant upward trend from just 3% a year ago. Much of this growth is coming from international markets like India, where Linux holds a staggering 15% share. The Steam Deck is likely a major contributor here, even if it’s being undercounted by web traffic metrics. It’s proving that when you give people a polished, functional version of Linux, they’re more than happy to use it. Meanwhile, Microsoft is waving the white flag on one of Windows 11’s marquee features: Android app support. They’ve announced they are ending the Windows Subsystem for Android (WSA) next year. This feature was dead on arrival for most users because it lacked the Google Play Store. Relying on the Amazon Appstore meant a severely limited selection of apps that often didn't work well on a desktop. Microsoft’s retreat from Android apps is a symptom of their failure in the tablet space. Without a compelling consumer tablet to compete with the iPad, there was no real incentive for developers or users to care about Android apps on Windows. It’s a classic Microsoft move: launch a feature with half-hearted execution, see low adoption, and kill it off. While the Linux community builds momentum through open-source utility and hardware like the Steam Deck, Microsoft continues to bloat Windows with features that they eventually abandon anyway.